Was daughter in disgrace a lesbian

Would they dare to share a bed while he was in the house? If the bed creaked in the night, would they be embarrassed? Embarrassed enough to stop? But what does he know about what women do together? Maybe women do not need to make beds creak. The narrator doesn't hit you over the head with the fact that Lucy is a lesbian, but instead reveals it to us through David's thoughts and curiosities about her sexual experiences.
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A land in turmoil, a life in 'Disgrace' - Los Angeles Times

Disgrace is a novel by J. Coetzee , published in It won the Booker Prize. The writer was also awarded the Nobel Prize in Literature four years after its publication. David Lurie is a South African professor of English who loses everything: his reputation, his job, his peace of mind, his dreams of artistic success, and finally even his ability to protect his own daughter. He is twice-divorced and dissatisfied with his job as a 'communications' lecturer, teaching a class in romantic literature at a technical university in Cape Town in post- apartheid South Africa. Lurie's sexual activities are all inherently risky.
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Disgrace - adapted from the Booker Prize-winning novel by South African writer J M Coetzee and starring John Malkovich - is a film played out in city and countryside, in the university and on the farm, which none too subtly explores Coetzee's take on sexual alienation during the decline of white rule. It tells the story of a failing, middle-aged, white professor of literature and his relationship with women, with characters serving as metaphors for the assertion of black self-governance or for white rule. Lost and confused in the new world where his lectures on romantic poetry have nothing to say to his students, David Lurie finds his white skin, money and position afford him the ability to buy black prostitutes or intimidate young black students into having sex with him, but not to control the outcome.
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When we first meet Lucy, it's sort of a shock that she's even remotely related to David. In contrast with David's sleek, suave, sophisticated ways — pouring red wine, watching art films, teaching at a university in a major metropolitan area — Lucy is an earthy woman who lives out in the country, works the land for a living, and doesn't pay attention to fashion or body image. We learn that Lucy's home was once a commune, but now she's the only person who hasn't moved away: […] now here she is, flowered dress, bare feet and all, in a house full of the smell of baking, no longer a child playing at farming but a solid countrywoman, a boervrou.
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